SALVATION (Glitter doesn’t care I’m a boy)

A science fiction drag ritual and an experimental invocation for a constant distribution of desires based on visions and fantasies, Shlomi Moto Wagner has experienced since he was three years old. It explores transformations, mutations and re-manifestations of the idea of being, the sensuality of being a body, the politics of having a body and the poetics of sharing a bodily experience.

This solo music theater piece is a mythological and poetic reading of current pop culture and its academic discourse. Ancient Jewish texts and invocations and compositions of Hildegard von Bingen from the 12th century newly arranged with pop hits, brand-new techno compositions and contemporary feminist texts